The work of Portishead co-founder Geoff Barrow, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single key story turn, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.
